DREAMWORKS ANIMATION TV
Generalist: Jurassic World Camp Cretaceous
-Assisted in approving and finaling sets via modeling, texturing, lighting, and comp. Worked on final comps and shot lighting

GNOMON VFX
Professor
-Texturing and Shading

DNEG (DOUBLE NEGATIVE)
Lighting TD
-Shows:
Runaways, Emergence, The Dark Crystal: Age of Resistance, Star Trek: Picard, and Westworld
-Helped the TV division’s 3D department with developing a Lighting workflow as well as assisted and trained new artists
-Attended dailies, particpated in problem solving, and offered creative and technical solutions

COSA VFX                  
Lead 3D Artist
-Lead artist on shows: NOS4A2 and Another Life
-Attended dailies, contributed notes, assessed work, pipeline procedures, and distributed work to artists ensuring artists’ strengths are cultivated and client vision is obtained 
-Onboarded and trained artists

3D Artist
-Shows:
-Gotham, Agents of Shield, The Gifted, Lucifer, The Orville, Reverie, Lethal Weapon, Training Day, The Mist, The Last Ship, Westworld, and Night School
-Created assets often taking a shot from start to final render
-Optimized assets. Created final textures for the title ship on The Orville and the Bioship

FREELANCE CLIENT WORK, FLIGHT 33 PROD.
3D Artist
-Created assets of rocketships and lunar equipment.Took shots to completion for a History Channel short film
-Created models, designed rough building concepts, re-appropriated some client CAD models and sketches to Maya, and took plans from blueprints to 3D renderings of housing remodels and landscapes allowing for a better comprehension and vision by both architects and investors

WHITNEY DIGITAL
3D Artist
-Assisted in creating various graphics for The History Channel
-Accurately recreated traffic accidents using police reports, witness reports, notes, and Google Earth

THE NINETY NINES, THESIS SHORT FILM
Production Manager, 3D Artist
-Key production artist and Co-Art Director through editing original script; creating storyboards and concept art; animating and converting motion capture to characters; creating swatches, textures, and shaders; and lighting.
-Oversaw and created the production pipeline including: creation of project hierarchy, asset management, and schedules
-Voice of the production to visiting studio executives, visiting artists, and the public
-Assisted with render wrangling and final editing of film